It's not just inconvenient, but you really forget to put it all right everywhere. And with all this, everything is in completely different places. Can you imagine how many steps the user needs to go through in order to correctly display their material on the monitor:ġ) setting up the sequence, there is a color space ģ) correctly set the value in the Lumetri Scopes panels to work with the color correctly Ĥ) set the correct color space in the material export settings. We need to strive to minimize and unify some work processes. If it is HLG, then accordingly Scopes changes automatically to the corresponding space. Here's what developers need to pay attention to: why not make it so that if you are working with Rec 709 material, the color display panel on Lumetri Scopes automatically exposes the correct color space.

Neil, I noticed now, for some reason I didn't pay attention earlier and many write that you need to look for settings in disparate places for the correct display of material on the timeline.

Adobe premiere pro 2022 full version